Horrorfind Weekend, Gettysburg, PA

I just got back from a book signing at Horrorfind this Labor Day weekend. I had a great time meeting fans of horror, fellow authors, and the marketing and editing team from my publisher, Samhain Horror.

Left to Right: David Bernstein, Russell James, Me, Dawn Martin, Don D'Auria (my editor), John Everson, Jacob Hammer, Damien Walters Grintalis, and Mick Ridgewell

 Signing alongside Damien Walters Grintalis, author of INK

Posing with David Bernstein, author of AMONGST THE DEAD.

 

With horror fans

  Signing alongside Hunter Shea, author of EVIL ETERNAL

 With Ronald Malfi, author of THE NARROWS and SNOW

 Posing with John Everson, author of NIGHTWHERE.

 

World Horror Convention 2011

I just signed up to attend the World Horror Convention in Austin, TX Apr 28-May 1, 2011 http://worldhorrorconvention.com/future-whcs/

http://www.BrianMoreland.com

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Traveling to Iraq with the USO

When I'm not writing novels, I work as a video editor on documentaries, TV commercials, and corporate videos. This year I was invited to travel to Iraq to edit a TV commercial. On January 1st, 2010, Tostitos and the USO hosted a "Salute the Troops" Bowl game, where the soldiers stationed in Iraq got a chance to play flag football with some celebrity football players and coaches from the United States. Among the celebrities traveling with the USO were Coach Barry Switzer, Coach Tommy Bowden and eight football players: Tony Casillas, Rocket Ismail, Bruce Smith, Brian Bosworth, Ty Detmer, Tee Martin, Tommy Frasier, and Joe Washington.

I was part of a video crew that filmed the entire event to produce a TV commercial, Hi-light video, and documentary. I got the privilege to travel to Camp Liberty military base in Baghdad to edit on site. On January 4th, the two-minute commercial played during the half-time show at the Tositos Fiesta Bowl. You can view this a the bottom of this article. First, I have posted several photos from the trip.

First stop: London.

On our way to the Middle East, we stopped off for a day in London to change planes. Since we had a ten-hour layover, we decided to take a day trip into the city. We took a train to to Picadilly Circus, which reminded me of New York's Times Square. We ate dinner at a pub called The Sussex. I ordered Fish 'n Chips and had a beer with the crew. Below is a busy street where there were many billboards advertising musicals and shows.



Me posing outside the pub.


After an overnight flight from London we landed in Kuwait.




We spent one night at the Radisson Hotel and ate some wonderful Middle Eastern cuisine. Below is Kuwait City on the coast of the Persian Gulf. I found the city to be beautiful with a mixture of modern architecture and Arabic buildings. There was even a space needle like the one in Seattle. The people in Kuwait were very friendly.



The next morning we were escorted by U.S. soldiers to the military airport where we boarded a C-130 cargo plane. Flying on an Air Force plane was one of the most exciting parts of the trip.



Inside the plane we all sat across from one another.


We were required to wear helmets and Kevlar vests in case we were fired upon. Missile tracers were fired off to make sure our path was clear. Behind me is the cargo area where all our gear was stored.

We were able to go up to the cockpit and watch the pilots in action.


On December 29th, we landed at the Baghdad airport. This was a very surreal moment for me. We were greeted by a welcome party of troops and members of the USO.


Two of my heroes, Coach Barry Switzer and Tony Casillas, getting off the plane. Switzer coached the Dallas Cowboys in the mid-nineties when they went to a Superbowl. Tony Casillas was also a member of the Dallas Cowboys and proudly wore his Superbowl ring.


The flight crew posing with cheerleaders from Colorado University. The cheerleaders came on the trip to cheer at the pep rally and football game and to boost the troops's spirits.


The legendary Brian Bosworth (a.k.a. "The Boz") from the University of Oklahoma.

Here are quarterback Tee Martin and running back Joe Washington being greeted by an Army officer.

Former Dallas Cowboys wide receiver and Notre Dame star Rocket Ismail visiting with an Army officer.

Campy Liberty. Every day choppers flew over the base in Baghdad.


The base encompasses several lakes with beautiful palaces that had once belonged to Saddam Hussein. These palaces are now used as military headquarters.



Here are two young men from Uganda who were hired by the military to guard the posts. They were very serious about their jobs. My hand is hovering over one of the guard's shoulders, because I started to put my arm around him, and then I stopped short, thinking, "Woah, he might not like that."

The JVB was a palace converted into a hotel for soldiers and civilians who come to visit the base. This is where we ate three meals a day in the mess hall. Our sleeping quarters were in trailers surrounded by concrete walls to protect us from mortar fire. There were four bunk beds to a trailer. Sharing a trailer with three other people, I felt like I was at summer camp.


Above and below are views from the back of the JVB hotel where we ate.



Below is a sequence of soldiers in action around the base.

I got the opportunity to work at Saddam's main palace, which is considered the Pentagon of Iraq.

My editing suite was a very small storage building beside the palace. It was very cramped quarters.

On New Year's Eve, I was working inside this tin box when I suddenly began hearing explosions right outside. The booms were the loudest I had ever heard. The repercussions made the walls shake and rocked the ground like an earthquake. A U.S. soldier came into my edit room and told me we were under attack and that we needed to take refuge in the palace. He gave me a helmet and handed a Kevlar vest to a producer I was working with. We began running for cover. My heart was racing as we ran flat along the palace walls. We heard sirens going off and the rotors of helicopters as we took cover inside the palace foyer. There were at least a dozen soldiers coming out with guns drawn. It was quite exciting. Within a half hour the base was secure. I found out later some Iraqis had pulled a truck up to the base wall and fired 9 mortars. They exploded at random places around the base, but thankfully no one was hurt. The film crew and celebrity players had been in the middle of their pep rally at the gym when the explosions started happening. They all hit the deck and had to lay flat on the gym floor until the sirens stopped.

After the barrage of mortar shells, it was back to work. We had a film to make. Here I am editing footage the camera guy just brought me.

The entire week the soldiers got to hang out with the celebrity football players.

Bruce Smith posing with two soldiers.

Rocket Ismail and Sgt. Taylor

One of the troops posing between football greats Ty Detmer and Joe Washington.

Tee Martin and a soldier.

The Colorado University cheerleaders.

Me in front of Saddam's palace.

Tony Casillas with several fans.

The entire Tostitos and USO crew.

Traveling over to Camp Liberty in Iraq was an amazing experience. I met so many wonderful troops and returned home with a deep sense of pride. Below is the two-minute commercial that I edited for the Tostitos Fiesta Bowl. My next project is to edit a longer documentary which I will post at a later date.

If you are looking for a great way to support the troops, I recommend donating to these two charities: Books for Soldiers and the USO.

On Writing Horror and Suspense

One of my new friends on Facebook recently wrote me asking for advice on writing horror. She wrote:

I see you're a horror writer. Do you have any advice for me, when writing particular scenes for horror? As far as gore/suspense, descriptions/emotions, etc...

Writing horror/suspense: When writing horror, don't hold back. Tap into your deepest, darkest imagination and write whatever your imagination gives you. Avoid censoring yourself. I've written some pretty twisted scenes and thought: I can't let anybody read this. The violence is just too brutal. But then people would read it and say they loved the scene.

I enjoy writing and reading fiction that originates from truth. When I say “truth” I mean that the scene was written from the writer’s heart. There’s a great distinction between stories written from an idea and those written from an author’s heart. The way to tell the difference is a story written from a writer’s heart evokes feelings in you when you read it. So in the case of writing horror, which explores darker themes, the genre attracts readers who want the writer to give us everything he or she has within her. As you type words across your computer screen, unleash whatever's clawing to get out. At the core of good protagonists and evil villains is a darkness driven by fear. Readers of horror can relate to fear, because we all have inner demons that we battle from time to time.

Suspense is putting a character into a situation where the reader knows danger is present. Example: a cop enters a house where a serial killer is hiding. All the lights are out. The cop finds a mutilated body, and it’s his partner. The dead man’s face has been skinned off. We might already know the killer likes to peal off the faces of his victims and wear them as masks. Now the cop has tracked down the killer to his lair. Every second the cop is exploring that house, we're on the edge of our seats, wondering when the killer is going to leap out of the shadows. We can ratchet up the suspense as our hero discovers a basement where shelves are lined with mannequin heads, each one draped with shrivled skin masks staring at our hero with hollow eyes and twisted grimaces. The more we learn how dangerous the killer is, the more suspenseful the scene gets.

Describing violence and gore: As far as gore goes, that's a matter of taste. Horror includes a whole spectrum from psychological horror (with very little gore) to splatter punk (graphic gore and violence - Brian Keene's zombie novels are great examples). So write gore according to your taste. Extremely gory novels attract a certain group of readers and tend to repel others. So, again, write horror the way you love to read it.

Writing descriptions: If you're writing suspense, keep descriptions to a minimum so you can keep the action driving at a fast pace. I describe settings in short paragraphs, then I start the action or dialogue. I generally interweave descriptions with the action. In SHADOWS IN THE MIST, I have a platoon take refuge in an abandoned Catholic church that's suffered a lot of war damage. I don't describe the church all at once. I give a brief description when the soldiers first reach the church. Then I describe a little more and a little more, as the soldiers explore the church with their flashlights. At some point the reader puts it all together and sees the big picture. When describing a setting, feed the reader a little at a time, so the setting becomes its own mystery--a place full of wonderful discoveries and hidden darkness.

We don't have to describe every detail. I like to allow the reader's imagination to fill in the gaps. Buildings like churches, castles, mansions, hospitals create their own image. If it's a minor scene, I'll just say my character entered a Catholic church. I describe more the action happening within the scene rather than paint the setting. When you allow the reader to use his imagination, in a sense you and the reader are co-creating the scene together in the reader's mind.

Writing emotions: Your ultimate goal is to evoke emotions in your readers and have them fall in love with your characters. But you can't contrive emotions or the scene will feel flat or trite. I first create characters that I, myself, fall in love with and care about. Then whatever happens to them evokes emotions in me. When I write dramatic scenes or scary scenes or action scenes where my protagonist is running for his life, I have to feel what's happening. I drum up those feelings of anger, fear, sadness, love, lust, and then write what my character is feeling. This happens naturally when I get into the story and I'm in tune with my character. The love scenes between my leading man and lady are by far the most fun to write. :) Again, don't hold anything back. Write about people you love and then write whatever you're feeling as they face conflicts with antagonists who will do everything in their power to stop the protagonists from achieving what they most desire.

I wish to thank Elizabeth H. from Syracuse, NY, for enquiring. I hope this helps.

Writing, writing, writing!

This week I've been writing feverishly on my next novel, DEAD OF WINTER. I've started getting up between 5:30 and 6:30 a.m. each morning. I rouse myself out of bed, blend a chocolate-banana smoothie, and off I go. I write for a couple hours before going to work my day job as a video editor.

It feels great to be back in the flow of writing. My muse had been on a vacation for a couple months (I think she went to Tahiti) and I barely got much written. Sometimes I go through periods where I get too caught up with other activities that fiction writing falls to the back burner. Now that my muse is back and stoking the fires of my imagination, I'm getting closer and closer to completing my second novel.